A Mervyn Peake talk at the National Archive, Kew.Titled Landscape with Figures, the painting above is from the series produced early in the war, as if from Hitler's own portfolio.
The Mervyn Peake blog is written by Sebastian Peake
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A Mervyn Peake talk at the National Archive, Kew.
Alison Flood writes in The Guardian on 26th April.
Advising the publisher for whom he was scouting at the time, the writer Graham Greene suggested that Titus Groan, and later Gormenghast should not include the margin drawings which were included in the submitted manuscript. From 1946 until the summer of 2011 this remained the case with just a very few of the hundred plus character sketches and finished illustrations included for the reader's visual guidance. It is wonderful therefore that in a little under three months all the secrets of the original manuscript will be revealed to the world. Figures from the books will then be brought to radiant life.
The British Library, which acquired the Mervyn Peake archive in the spring of 2010, have just announced a wide-ranging series of exhibitions and talks to be held during this centenary year. A selection of drawings, manuscripts and notebooks from the archive will be on display, with lectures held in the conference centre.
The writer and broadcaster, Brian Sibley, was a regular visitor of Maeve Gilmore's when she was working on this book. She discussed it with him in depth at that time so to have an introduction by Brian in the book's eventual published form so many years later is both a fascinating insight and an indication of the warmth with which she is still regarded by those around her at the time.
Sebastian Peake, with a few of the 75 strong audience after speaking about Mervyn Peake at the Plymouth branch of the Parkinson's UK on 12th April. The following day a separate talk was given at the Eden Project, St Austell, Cornwall where one of the famous vast white globes was filled with those with Parkinson's who had travelled from all over the county, including the Isles of Scilly.
It's now just three months until the centenary of Mervyn Peake's birth and, from my position as provider of digital images to publishers, galleries and museums, I now intend to write the occasional blog on Sebastian's behalf to bring readers up to date.